Contents hide 1 CROMORAMA every color has its own history

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Do you know that colors have meaning ? And do our eyes unconsciously attribute sensations and emotions to each color? Today we will see some ideas on printing colors that a leading expert like Riccardo Falcinelli has made available to us with his book: CROMORAMA Riccardo Falcinelli , Renowned and talented graphic designer and art director, has signed a highly enjoyable book, indispensable for anyone who deals with graphics on a professional level. Very useful for students   who want to start professionally addressing an important aspect of communication in our society. Equally useful for the curious who will discover, it must be said, a rainbow of fun and interesting anecdotes.






Today we give you four reasons to read CROMORAMA.  2 CHROMORAMA the color fabric 3 CROMORAMA the sky (is not) always bluer 4 Male shades and female shades CROMORAMA every color has its own history The pencils became yellow because the paint covered the imperfections of the wood that covered the lead, but now this color identifies the product so well that the green ones, even Switzerland WhatsApp Number Data  if identical, are perceived as being of inferior quality  The Madonna's cloak in the paintings only became blue during the Renaissance, because the clients wanted to show that they could afford the expensive color obtained by grinding lapis lazuli. Even carrots were engineered by growers with a series of crosses so that their color would pay homage to the House of Orange.




In Falcinelli's book, colors become the protagonists of a story, or rather of many stories intertwined in a fascinating way. CROMORAMA the fabric of color We are now used to considering color as a uniform shade which, once spread on a surface, makes it yellow , red or green. The pages of Cromorama instead help us to discover, or rediscover, how printing colors have a multifaceted personality, never the same, in nature as in works of art. And not only in classic paintings: even Andy Warhol's Brillo Boxes , if you look closely at them, are different from each other, and in the most current illustration works these color "textures" are inserted specifically to give a greater impression of truth or to create an effect of poetic disorientation. CROMORAMA the sky (is not) always bluer In his Cromorama, Falcinelli provides, with a tasty but very informative tone, some scientific notions that apply perfectly to the topic covered. He explains to us, for example, that